Now I can say I’m a opera singer!

Now I can say I’m a opera singer!

Without even crossing the border back home (however borders only exist in our minds) and with the magic of the Veljanov’s concert still in my head. It’s head in the books and EarPods in the ears and last minute studying of The Armed Man of Jenkins while the silver train brings me home. However home is where the heart is so maybe I should have stayed in Berlin. But back to reality it’s a week of working, rest, working, photo editing, working, rehearsals, working, photo editing, working, rehearsals, preform, preform.

The Armed Man

When I got the news early this year that we would sing The Armed Man it was exited however one side it’s a little bit to filmish bombastic piece the more and more I dig in to it the more I loved it. We did it with the vision of 80 years of liberty of the south of the Netherlands. When I grew up sometimes my grandfather told me stories of the WOII how he had to work in Germany. He was one of those Dutch gentleman who did not hate Germans  but he only hated Nazis. My dad always served the Dutch military and has been to Afghanistan for two times. So I grew up always aware that he’s a lot away and worked a lot Germany. Mabe that where my rebellion to learning German as a child came from or it’s just it’s because it to similar to Dutch. I personally love the German culture specially around Christmas, so as Dutch as I am yes I do that in Germany. So here I’m back where I stared this blog: Borders only exist in our minds. Just like enemies grow out of fear of what we do not know. Sometimes we need to face our past first to start something new.

Not only singing The Armed Man but the whole last two weeks where a personal journey of reflection and grow. As a photographer a singer and as a person.

Now I can call myself a opera singer
Well I’m just a hobby singer in a local opera choir but it’s fun and helps. It also helps me with my tinnitus and hyperacusis. The last weeks I learned I have a neurologic tinnitus /hyperacusis so if I’m relax and my tinnitus/hyperacusis relax to. But they say after two years you can say I’m a opera singer. And the last two years my life started to flip back 180degrees back to my true love, music. Last year we celebrated 90 years of Osse Opera it was a nice mash up of opera an theatre  and after that we went of a spring concert. So I learned a lot and specially for this last opera I learned several techniques that really makes my jaw stronger. I don’t have big plans I still love to be at the local opera and learn from Hans Lamers and the choir member and experiment at home. So singing is my therapy and love.

And now off to work 21 December we have a concert in a church in Reek. With some Jenkis, Orff, Verdi and Mozart. So a nice mesh up again and a lot to learn in a few weeks.

So after two weeks it’s take some rest, recharge and restart it all again and see what the future will bring.

The Armed Man – A mass for Piece
Written by: Karl Jenkins
Executive conductor: Sef Pijpers Jr.
Osse opera conductor: Hans Lamers
Bosche Opera conductor: Wim Reijnders
Solo: Lucie van Ree & Zaid Tayem
Location:  Jheronimus Bosch Art Centre in ’s-Hertogenbosch
Date: 16 & 17 November  2024 (sold out)

Harmonie Wilhelmina  den Dungen,
Vereniging Bosche Opera
Osse Opera Vereniging
And guest choir singers and artist

Last rehearsal pictures by Gerold Smits

Concert saterday by Gerold Smits

Pictures I made

I’m back in photography

I’m back in photography


Well I guess I can say this is part two of my nostalgic blog (here is part one). After making pictures at  Deine Lakaien in Planetarium Bochum it was now time to go back to concert venue’s again. The lighting will be completely different just like the crowd. So like the old days let’s go in the photopit!

It’s almost strange to  think that it was over a decade that I have been in the photopit. But maybe it was the magic of Bochum still in my head or the nostalgic theme of the Veljanov tour that made that time hasn’t past. There where a lot of trusted faces that also makes it more comfortable to make pictures. Like Marcus Testory was also 2008 when I have had him in front of my camera for a report “a day with Chamber.”


While the concert in Oberhausen felt like just old school with the type of hall and the dancing people. Berlin felt really special to me. Being there thinking of the cd presentation of Porta Macedonia 16 years ago. The interview with Alexander at Summer Darkness festival in Utrecht 15 years. Celebrating 25 years Secrets of the Silver Tongue and this all on the day that 35 years ago the Berlin wall fell.


Berlin was a evening not just being nostalgic but also one of breaking my own walls that I build up. Walls that I build up to hide my grief and lost vision on where the heart takes you. It was like a coming home again. I guess just to pet my ego maybe I felt the “Anton Corbijn” of the evening and Alexander Veljanov is  for me like what’s Bono for Anton Corbijn.  That one person in front of you camera  that somehow works like magic and always let’s you be on your best.

We will see what the future brings.

Photoseries:
Pictures of Oberhausen 2024
Pictures of Berlin 2024

Leave behind what needs to be left behind
Embrace the sun and touch the sky
Sometimes when we think it’s the end
It’s just the beginning

Helene Smits

Veljanov & Die Kammer – Peter Edel Kulturzentrum Berlin (DE) 7-11-2024

Veljanov & Die Kammer – Peter Edel Kulturzentrum Berlin (DE) 7-11-2024

What a great time to be back in Berlin. The first and last time I made concert pictures in Berlin was 2008. It was a 26h visit to Berlin including drive. That was to the cd presentation of Veljanov Porta Macedonia album. So now after to lang ago back to Berlin and nog with was an upgraded trip of 60h or in short words nice weekend away. The atmosphere was great and Die Kammer was a great party again to warm up the venue. The evening was a nice celibration of Veljanov Secrets of the Silver Tongue. This nostalgic tour and specially Berlin really brought me back to 2008.

Veljanov

Die Kammer