Choices, choices to edit

Choices, choices to edit


November rushed by. Somehow my Novembers are always full of fun but it makes time fly by. I have made new pictures but still didn’t find the time to upload more of my archives. Yes slowly I pick up my camera more and more at as Kids Rally, walks in nature (more in 2026 about that)  and concerts. But November to me is always busy with music making pictures at Veljanov in Bochum and I had to sing with the Osse Opera at the Osse Nacht.  On social media people asked me to give some insight how I work with concert photography and why I chose certain pictures.

About 20 years ago I started concert photography as a student photographer. During my studies Documentary  Photography  I worked as a reporter for my own Noize Magazine. Basically my workflow never changed. While most people focused on post- production my focus is on pre-production.

My workflow

  • – Check the band and how they represent themselves
  • – Check the fanbase online but also talk with them at the venue. It tells me more about the atmosphere and how they see their favourite band.
  • – Respect the rules of the venue and band (mostly it’s making pictures a the first three songs).
  • – Try to find the setting and right angel to captures as much as possible, even when you are standing in a small corner.  
  • – Making the pictures take those full 15 minutes of window you have. That means full in from the first second the lights go on, only to even check te light. I work In raw so it gives me some more editing room. But still it’s a quick eye between finding the shots and settings.
  • – When the camera is down I just try to enjoy the evening. This also helps me with my post processing.
  • – Post processing I try to edit as soon as possible. But I’m really selective on the pictures that make the series. Not if they’re technically good but also does it have the right atmosphere and does it fit with the image of the artist.
  • –  And most of my editing is just some balance setting and some cropping. But I my personal way is to make the picture that I have to edit as less as possible. Capture the moment at the moment and don’t create it afterwards.

You make pictures of some artist for 18 years now doesn’t make it a easy routine?

No, basically not because every tour, location is different. For me it’s a challenge to make better pictures every time. Find the rare moments capture them. Every time the feeling is different so you need to find the right expression that tells the story of the evening of that moment. Yes, it’s easier in the post process because you know what kind of images the band/artist likes so it makes it easier so select images but on the other side you look at different details that makes me as a photographer more pickier on the images I choose.

In a split second

In a split second

The first pictures I want to write about is this split second take. I talk about the lower picture of the two.  This was within a speed mode series and all the pictures where like the op picture with expression. You can say it was a lucky shot. But most colleague photographers would only pick the top picture. Just because it fits his image a good expression that could sell in a magazine. For me the top picture isn’t special just a typical one. But that little smile just shows more of the relaxed vibe of the evening.

Caught in emotion

Caught in emotion

Yes I love to capture emotion. Every song brings different emotions. This picture was made during the last song of the concert (yes I was allowed to make pictures at the last song this time). It was the song “Dirt” it’s a emotionally heavy song an to be honest it always makes me cry. For me it also a song that they should never stop playing because it’s about pain and war.  These kind of emotional moment of Alexander you also see at Deine Lakaien concerts. But it’s mostly on moments when you are not allowed to make pictures or he turns away that you cannot capture the emotion.

For me this picture shows how emotional these concerts are. The visitors also experience the concert as a beautiful flow of emotions. For me this picture is the perfect balance of being in his emotional bubble, captured with respect and with his iconic signature look.

So this is a small look in my photography kitchen. Feel free to send me questions about my edits.

Full series of Veljanov – 12-11-2025 Bahnhof Langendreer, Bochum (DE)

Kind regards,
Helene Smits

I’m back in photography

I’m back in photography


Well I guess I can say this is part two of my nostalgic blog (here is part one). After making pictures at  Deine Lakaien in Planetarium Bochum it was now time to go back to concert venue’s again. The lighting will be completely different just like the crowd. So like the old days let’s go in the photopit!

It’s almost strange to  think that it was over a decade that I have been in the photopit. But maybe it was the magic of Bochum still in my head or the nostalgic theme of the Veljanov tour that made that time hasn’t past. There where a lot of trusted faces that also makes it more comfortable to make pictures. Like Marcus Testory was also 2008 when I have had him in front of my camera for a report “a day with Chamber.”


While the concert in Oberhausen felt like just old school with the type of hall and the dancing people. Berlin felt really special to me. Being there thinking of the cd presentation of Porta Macedonia 16 years ago. The interview with Alexander at Summer Darkness festival in Utrecht 15 years. Celebrating 25 years Secrets of the Silver Tongue and this all on the day that 35 years ago the Berlin wall fell.


Berlin was a evening not just being nostalgic but also one of breaking my own walls that I build up. Walls that I build up to hide my grief and lost vision on where the heart takes you. It was like a coming home again. I guess just to pet my ego maybe I felt the “Anton Corbijn” of the evening and Alexander Veljanov is  for me like what’s Bono for Anton Corbijn.  That one person in front of you camera  that somehow works like magic and always let’s you be on your best.

We will see what the future brings.

Photoseries:
Pictures of Oberhausen 2024
Pictures of Berlin 2024

Leave behind what needs to be left behind
Embrace the sun and touch the sky
Sometimes when we think it’s the end
It’s just the beginning

Helene Smits

Veljanov & Die Kammer – Peter Edel Kulturzentrum Berlin (DE) 7-11-2024

Veljanov & Die Kammer – Peter Edel Kulturzentrum Berlin (DE) 7-11-2024

What a great time to be back in Berlin. The first and last time I made concert pictures in Berlin was 2008. It was a 26h visit to Berlin including drive. That was to the cd presentation of Veljanov Porta Macedonia album. So now after to lang ago back to Berlin and nog with was an upgraded trip of 60h or in short words nice weekend away. The atmosphere was great and Die Kammer was a great party again to warm up the venue. The evening was a nice celibration of Veljanov Secrets of the Silver Tongue. This nostalgic tour and specially Berlin really brought me back to 2008.

Veljanov

Die Kammer

Veljanov & Die Kammer – Kulttempel Oberhausen (DE) 7-11-2024

Veljanov & Die Kammer – Kulttempel Oberhausen (DE) 7-11-2024

After 14 years it I have had the honor er make pictures again of a Veljanov concert. And it was the first tour after so manny years. But still it was time hasn’t past and the atmoshpere was great. Die Kammer was also a perfect combination to warm up the venue.

Veljanov

Die Kammer

Why I choose documentary photography

Why I choose documentary photography

As a child I was always singing and dancing. As my mother always tells me that’s the moment when I’m always shining. So my love for music sparked my interest in tour documentaries and photographers like Anton Corbijn. This because I never see myself as a good singer or dancer.  But the magic of music always got my attention. Also the art of fantasy movies and puppeteers. So I decided to study  Multimedia Design to become a director.

During my study’s I had a teacher who had lived the rockstar life in the times of Top of the pops. So he was a big inspiration for me (even I’m not that wild). During my study I found out that I could express myself better with photography. All the freedom and I could work on my own. With a friend from the graphic design study we started Noize Magazine an E-zine (which was revolutionary at that time) with our passion for music, art, fashion and all gothic lifestyle. After we stopped Noize Magazine in the end of 2011. After that I was still studying Documentary Photography at the Art Academy of Sint Joost (NL). And my boyfriend (now husband) had his music promotion company so I still made pictures. But in 2014 after I lost my daughter I stopped making art and (documentary) photography.



Deine Lakaien
In 2007 when we were preparing for Noize Magazine  I was that Deine Lakaien  would come to the Netherlands. Even it was there 20 years tour  I just discovered them during a visit to Berlin where I ended up at their concert with the Neue Philharmonie Frankfurt. I got a photopass and against the note “no backstage access” I ended up meeting them backstage. For four years I have made pictures at several Deine Lakaien and Vejlanov concert and it was always a magical moment and almost a coming home. But as I stopped in 2014 I pushed away everything I loved. But corona times in 2020 brought nostalgic on the table and with endless scrolling time on social media they popped up. So slowly I started to follow them again. And with a warm welcome in Osnabruck  2021 (with all corona measurements) and a welcome home in Koln 2022. It was like all those years gone never existed.
In 2024 I started to sort out my old photography work. And the thought of making pictures again at the Veljanov concert just like “the old days”. So last Saturday I ended up making pictures at the Seiss Planetarium Bochum. After 14 years I was making pictures again. It was like it was 2007 again small venue a magical venue and a perfect balance of listing and capturing the moment.  But now with a upgrade set and it was like my break of photography was never there.

But now still making a tour documentary I again on my bucket list. Well mabe one day? I will see what will come on my path. And now I’m thinking I’m slightly doing that with at the Osse Opera where I’m singing.

Klik here to go the full Deine Lakaien photoseries

Sometimes the only thing that has changed is time
Helene Smits

Deine Lakaien – Zeiss Planetarium Bochum 12-10-2024

Deine Lakaien – Zeiss Planetarium Bochum 12-10-2024

A magical evening in a small outerspace dream setting. The concert was in a small magical setting. One almost impossible to capture on film. But it tried and if you get the chance to go then go. Just to let yourself drift away underneath the stars.


Also thank you to Gerold Smits for helping with the editing.
Pictures copyright Helene Smits